Wednesday, September 5, 2018

My Super Ikonta A

 The Super Ikonta A, Zeiss Ikonta's smallest 120 film folder.

 

The Super Ikonta as it appeared in ebay
Sometimes my photographic investigations wander slightly afield from my focus on Nikon and Tenax cameras. Here we have a Zeiss Ikon Super Ikonta A (Bestell #530) from the mid-1930s. It is of the second type with the shutter release moved onto the body, but before the addition of lots of chrome that marked the 531 versions.

It is equipped with a 7cm f3.5 Tessar in a Compur shutter. At the time it was sold, this was the top of the line in 4.5X6cm 120 size roll film cameras. The rangefinder uses a rotating wedge mechanism coupled to the front element of the lens. These cameras were not cheap and even today Super Ikontas in good condition generally sell for well over $100 on ebay.

The 4.5 X 6cm format has a certain appeal to me. Large enough to be medium format, but still small enough to allow compact lenses and a compact camera body. The extra frames on a roll of 120 film is a nice plus.
    So when I spotted this Super Ikonta A on ebay for only $50.00 (US) I took note. As you can see in the first picture, the condition was not promising, but I decided to take a chance and bought it.
    Several hours of labor using saddle soap, leather restorer, a soft toothbrush, toothpicks, Q-tips, lens cleaner, lens tissue and soft cloths and I had what you see here. Oddly enough, it came with two 620 spools, which I promptly sold on ebay.

    Bellows is still light-tight. Shutter is reasonably accurate, lens is clear. Everything as
works as well, except the frames of the albada finder are badly faded and the rangefinder is dim. Still a great picture taker. And results? Nice, sharp pictures with plenty of contrast and depth.
Quechee Gorge, Vermont
Scott and Charlotte at Quechee Gorge

Friday, May 11, 2018

Zeiss' 50cm f8 Fernobjektiv

The longest lens that Carl Zeiss in Jena manufactured for 35mm cameras was a 500mm f8 lens it referred as a "Fernobjektiv" or Far lens. Part of the text below first appeared in an article I wrote for the 2014 Spring/fall issue of Zeiss Historica [Vol 36, no.1]
50cm f8 Fernobjektiv on a postwar Panflex and a Nikon SP.

In the late 1940s, as Zeiss was trying to figure out what company it still was and what market it should aim for, the Jena factory completed a run of 40 Fernobjektivs, supposedly all in the post-war Flektoskop mount (#s 3412641—3412680, order #907, 8 August to 15 November, 1948). When the Jena facilities finally got around to some kind of regular production, new Fernobjektivs came out in mounts for the East German Zeiss Flektometer housing or with adapters for Exakta or in the M42 thread. Production continued into the early 1960s.

This Fernobjektiv uses the external bayonet mount. It works equally well on a BR-1 ring.
So how did the 50cm Fernobjektiv pictured here end up in the Panflex mount? The serial number  (#3412655) is within the same 1948 batch that were supposed to be in Flektoskop mount. So it must have been intended for the pre-war Panflex. Were a few of that batch made and sold in the Panflex mounting?

The lens itself is a single component achromat doublet in a long-focus design. Such a simple design is capable of excellent sharpness and contrast particularly in the center of its field—provided the lens is confined to a modest aperture and narrow coverage. The famous long-focus lenses offered by Novoflex use a similar optical design. The finish of this particular lens is good if not spectacular. A nice modern black crinkle finish was applied over a smooth black coating with the exception of the diaphragm and focus rings. The glass is T-coated. It takes readily-available 77mm accessories. Apertures close down to f45 with a manually-controlled iris mounted nearly 16cm (seven inches) behind the glass. The focusing helicoid is set forward and just behind the glass. The lens focuses as close as six meters (19.1 feet) with a nearly 360 degree turn of the focus ring. Only the glass moves; the diaphragm remains stationary.

Mounted on a Panflex with a Contax or Nikon rangefinder camera attached, the lens balances on its rotatable tripod bushing. Weighting only 1.627 kilos (4.5 pounds), the lens should be handholdable. However, the focusing ring is set so far forward and has such a long turning that focusing while trying to hold a camera steady becomes an exercise in frustration. This is particularly true if one is trying to follow a moving object.



Using a BR-1 ring, this lens mounts on any F mount Nikon, requiring on a slight shift of the focus to bring infinity into sharpness.
Like all lenses with focal lengths longer than 250mm, the Fernibjektiv vignettes on a reflex housing. This is due to the small throat of the Contax/Nikon bayonet system.
On a Panflex, the Fernobjektiv vignettes.

However, on a Nikon F, it does just fine and is capable of nice, sharp results.




Immature female Coopers Hawk Accipiter cooperii at our birdfeeder. It did not come for the seeds.

Tuesday, January 23, 2018

Mountain photography

Someone asked what are the best lenses to use for mountain photography. My answer: any focal length you want. Here are a set of examples taken the summer of 1972. Linda and I hiked to the summit of Sheep Mountain in the Gros Ventre Range of Northwestern Wyomissing.
All taken with Kodachrome.
Linda and myself on the summit of Sheep Mountain. Nikon SP and 28mm W-Nikkor. Note Nikon F in my lap.


Jackson Hole looking Northwest from Sheep Mountain. The Teton Range across the valley. Nikon SP 28mm W-Nikkor.

Middle Teton, Grand Teton and Mount Owen from Sheep Mountain. Same view as 28mm W-Nikkor but using 400mm Tele-Nikkor on Nikon F.